LPFM!

Congress actually passed the long-delayed Community Radio Act, allowing low power FM radio stations (usually these reach just a mile or more, are relatively cheap to set up, and create opportunities for more groups to reach the airwaves). This has been blocked by the big radio networks for a long time.

http://www.huffingtonpost.com/timothy-karr/the-little-bill-that-coul_b_798768.html

Phone

Ummmm...I think I figured out why the phone doesn't ring.

Dragonfly

Was walking out to my car the other day and suddenly wondered why I had never noticed the interesting filligree doohickey (those are technical terms, y'all) that was part of our car's antenna. It looked cool. I got closer and saw that it wasn't part of the antennae, but a dragonfly. It very patiently stayed there while I snapped a couple of images with my phone, and then zipped off.

New Books

Just back from NCA. Picked up the following, which look great:

Jonathan Gray, Show Sold Separately: Promos, Spoilers, and Other Media Paratexts. NYU Press.

Thomas Streeter, The Net Effect: Romanticism, Capitalism, and the Internet. NYU Press.



Got in the mail the other day:

Ben Highmore, Ordinary Lives: Studies in the Everyday. Routledge. I had read this in manuscript form and loved it. Glad it's finally out.

updating Orwell

Under the spreading chestnut tree,
I friended you,
and you friended me...

[updating Orwell's parody of a popular song/rhyme, which itself is echoing Longfellow]

The Conversation (1974)

The infamous Jack Tarr hotel, where the key confrontation occurred in this great film, is slated for demolition (if it's not gone already). It was renamed the Cathedral Hill hotel a number of years ago. Apparently not too many people are sad to see it go (a dead end of modernist architecture, someone wrote, actually they said, "the bad direction modernism went"). It's going to be replaced by a new hospital complex.

new books

New books, accumulated over the last few months. Some purchased, and some just appeared in the mail (thank you!!) In no particular order.

Goggin & Hjorth, Mobile Technologies: From Telecommunications to Media. Routledge

Paul Virilio, The University of Disaster. Polity.

Campanella Bracken and Skalski (eds) Immersed in Media: Telepresence in Everyday Life. Routledge.

Solove, Understanding Privacy. Harvard.

Vivian, Public Forgetting. Penn State.

Papacharissi (ed), A Networked Self: Identity, Community, and Culture in Social Network Sites. Routledge.

Turner, Ordinary People in the Media.

Crow, Longford, & Sawchuk (eds), The Wireless Spectrum. University of Toronto Press.


Currently reading: Qui Xiaolong, Death of a Red Heroine, a mystery recommended by Jennifer (thanks!). Though I am also inching my way through both Against the Day (which is taking years, I realize, which is not necessarily the book's fault) and Vineland by Pynchon. Finished Inherent Vice, which was fun.

The everyday

Currently teaching a course on media and everyday life. Right now we’re early on in the course and covering basic ideas about the everyday. Students seem to be enjoying it. But reading and teaching about such things always gets me reflecting on everyday practices, naturally enough.

We read Mauss’s “Techniques of the Body” which got me reflecting on when and where people walk around clasping their hands behind their backs (it’s either very formal, like in school or a form of attention, or quite informal—a stroll, though the latter seems to be a generational thing; do people do this anymore?).

The other somewhat random thought came up when the A/C system kicked on a bit earlier today. The thermostat is programmed by time of day and day of the week, so you can set it to your habits, or the habits of the household. When we first moved into this house years ago, it was set to someone else’s everyday. There was the preferred temperature (and preferred nighttime temp, daytime temp, etc.). But also the timer gives a clue to the schedule of the house: when it first kicks on (people are waking up), kicks back off (people have gone to school or work; or perhaps it doesn’t kick back off if they stay at home), back on in the afternoon (when expected home from school or work), and back off in the evening (when we go to bed); with different patterns for the weekend (does it shut off Sunday morning when you’re not expected to be at home?). Until I figured out how to change the programming, we were living in a house set for another family, continually overriding their everyday. It’s about the ways the everyday accretes in technologies and spaces.

in the news (old)

A former student of mine just sent me a copy of an article from last January from a college newspaper, The College Times. I remember talking with the reporter, but never saw the issue. So this is 8 months old, and I'm cited several times later on.
FWIW.

Beyond the Lighted Stage

Quite enjoying this documentary of Rush. Lots of old footage and interviews. Doesn't presume you're a fan. Deals with the seemingly utter lack of respect the band gets from rock critics (and reads out choice excerpts of scathing reviews). But as a portrait of a group of friends who have managed to hang together as a band for 40 years (accumulating the most consecutive gold or platinum albums except for the Beatles or the Rolling Stones), it's quite good. There's no scandal here, and none of the usual heavy metal excesses. Geddy, at the end, says that he told the filmmakers they were making a mistake: the band was just too boring. They're not boring, however, but are funny, reflective, honest guys (who happed to be extremely talented musicians). The documentary quietly skips a few late 80s albums (e.g., Presto), which is probably for the best :)

New Old Media

Picked this up in the Night Market in Hong Kong (my, that sounds exotic!).

Apparently it's a Seagull brand, but I haven't been able to trace much beyond that. What's different from the other Seagull TLR's that I can find online is that there is a figure of a rose on the top of the camera.

Professor

Just got promoted to Full Professor!

Next stop: Emeritus! :)
Eventually.
Maybe.

Surveillance Birdhouse

I love this!
http://sleekidentity.com/products/detail/wolfgang-s-birdhouse-Dennis-Clasen/

Up in the Air

Interesting reflection on non-places and hyperreality. In some ways, we could read George Clooney’s character’s (Ryan Bingham) life as the condition of postmodernity: living in the in-between, in non-spaces which are all shiny surface, desire collecting around rewards points and mileage levels, ephemeral signs of status. In this way, given the films critique of Bingham’s life, could this be a parable of the end of the postmodern?

There is a parallel of the airworld nonspace with another one: cyberspace. The plot revolves around a scheme to fire people online rather than face to face (and someone breaks up with their fiancée via text message). It seems the same shallow, friction-free space as the postmodern world of airports and chain hotels. The next generation, embodied in the up and coming Natalie Keener (played by Anna Kendrick), seems heading towards the same disconnect as Bingham.

The film offers no simple solutions (for which I was grateful), though it being a Hollywood film it makes some predictable conclusions (triumph of humanity over technology—that shouldn’t be a spoiler, by the way), though it does leave things, for some, up in the air.


[new post coming up on the Clickable World blog, too]

Rainbows

Ain't Got Time to Blog just crept past 3,000 views in the last couple of weeks.

Anyway, beautiful double rainbow in the sky this afternoon. Bright, vivid. Tried to capture some of it.



They stretched from horizon to horizon.



You can see how bright it was.

New Books

It's always a nice surprise when books appear, unbidden, in my mailbox. And if they are interesting and useful books, so much the better! So thanks to Oxford University Press for sending these on.

Jason Mittell, Television and American Culture looks great, chock full of interesting examples and approaches to television studies from economics to production to critical analysis. It makes me want to teach Television Studies again.

Marita Sturken and Lisa Cartwright, Practices of Looking: An Introduction to Visual Culture. A second edition of this excellent and influential text.

ICA

Start stocking up on the sunscreen, Communication Scholars! I just found out that ICA (The International Communication Association) will be in Phoenix in 2012. May 24-28. Perhaps this is common knowledge, but I just saw it.

Lecturing in the Age of Distraction

Following on from Jonathan's comment on my post-before-last. I recently ran across an article on lecturing within the context of proliferating technologies of attention. Eric Gordon and David Bogen (Spring 2009) "Designing Choreographies for the 'New Economy of Attention.'" DHQ: Digital Humanities Quarterly, 3(2).

It's an interesting article arguing how we should try to leverage the advantages of the new technologies to enrich lectures, rather than just fighting against them. Though in some ways it's like saying that the bucket has holes and the water is pouring out. Rather than plugging the holes, we should explore what the leaks have to offer the situation. Teachers should be sensitive to the means of communication and habits of thought and life of their students and be somewhat adaptable, flexible, and creative in that regard, but at the same time the students need to meet us at least half way. When they're signed up for a class, they should be in the class and make every effort to participate and pay attention (though perhaps I'm just old-fashioned). The article presents a number of suggestions for choreographing all these means of distraction and attention as part of the lecture. But I think there's a fine line between creatively engaging the situation and catering to rude behavior (electronically based or not, passing notes is passing notes).

Just my 2 cents.

Surveillance (2008)

To be disappointed in Jennifer Lynch's film, "Surveillance," which I just saw on DVD, would mean that I actually had high expectations in the first place. Since I had none (given some of the critical responses I've read), I was not disappointed. For a film that tries its hardest to be disturbing and shocking and brutal, it ended up being fairly affectless I thought. It's a mess, and not in a good way. It's got great actors, but the performances are all twitches and eccentricities (and not in a good way). The plot is predictable, the images gruesome in a fairly banal way (which is precisely the way death and pain and gore and brutality should NOT be represented, IMHO) or so studied that one finds oneself looking at it saying, "oh, I see, that's supposed to be creepy the way he leans in to the camera that way." Comparisons with her father's work are perhaps not fair, but the film keeps referring to her father's work and trying to mine the same territory. Even if I had not known she was David Lynch's daughter I would have found myself saying, "Wow. David Lynch did that so much better, and on broadcast TV to boot!"

What I *am* disappointed about concerned the film is that it's really not about surveillance. Yes, there is a conceit that witnesses in three separate rooms recount their stories while being filmed by Bill Pullman (who supposedly is closely attending to all three people talking at once), but nothing is really made of it. It's not really even a device. The only bit that is really about surveillance is the realization that the little girl is the real surveillor, who watches and understands much more than everyone else.

Distraction

"Workers on average spend just eleven minutes on a project before switching to another, and while focusing on a project, typically change tasks every three minutes....Once distracted, we take about twenty-five minutes to return to an interrupted task and usually plunge into two other work projects in the interim....Nearly 45 percent of workplace interruptions are self-initiated. (And when workers interrupt themselves, they take slightly longer to resume their original work--about twenty-eight minutes on average."
Maggie Jackson, Distracted, Amherst, NY: Prometheus Books. pp 84-86.
Jackson is referring to Gloria Mark, Victor Gonzalez, and Justin Harris, "No Task Left Behind? Examining the Nature of Fragmented Work," Proceedings of the Conference on Human Factors in Computer Systems (Portland, OR, 2005).

You mean it's not just me?